Every damn April, we get sucked back in. Into the game’s most legendary event. The most storied place. And every single year, it still finds a way to surprise us. How does one tournament, tied to one specific patch of Georgia dirt – Augusta National – hold us in such a grip, year after year? It’s a question that hangs in the azalea-scented air, and frankly, it’s a damn good one.Let’s get this straight. The Masters, and Augusta National, that’s our annual marker for fresh starts. It’s the ultimate American golf tournament. Why? Because it’s so damn *American*.It’s a place of contrasts. Big and brawny in one spot, then suddenly, incredibly intimate. The Masters, and Augusta National, they’re like the Grand Canyon – a sprawling wonder. But then there’s the majesty of a lone eagle, soaring high. We pause to take in the Par 3 Course, especially back in the day when Arnold, Jack, and Gary were playing it. Thousands watching, shoulder to shoulder. So damn intimate. Then you look at the tee shots on holes like 1, 2, 5, or 8. It’s pure power. Smashing drivers right down the middle of the fairway. Easier said than done, of course. Your first putt will thank you for it.You’re always building at The Masters. Shot by shot. Hole by hole. Round by round. April after April. It doesn’t matter if you’re the player, the TV viewer glued to the screen, the fan pressed against the ropes, a member, a broadcaster, a caddie, or a course worker. The experience is there for everyone. Augusta National, the most private of clubs. The Masters, the most inviting of tournaments. It’s a paradox, isn’t it?Back in the day, the club’s top brass – the chairman, his lieutenants in those iconic green coats, plus more executives than you’d care to count – decided to build a new driving range. Near the famous driveway, Magnolia Lane. They built the most spectacular driving range anyone had ever conceived. Seemingly overnight. The preferred contractors tore up parking lots, anything in their way, to create this temple of practice. A Taj Mahal press building at the far end. But these leaders? They’d never dream of messing with Golden Bell, the 12th hole. That short iron beauty, played through a fickle wind, over Rae’s Creek, to a slippery green. Pure golf poetry. A golf shot as haiku.The Masters, as we know it today, really became *The Masters* in the 1950s. Back when baseball was still king. Every April, the big-time sports columnists, done with spring training and opening day, would descend on Augusta. They’d eat pie, and then they’d canonize the tournament, the course, the players. It was an easy fit for those scribes. This was an era of baggy trousers and a bar in the press building – essential for easing the pain of deadline typing. Out of all the golf tournaments, The Masters is the most like baseball. It has that same capacity for redemption. The guy who boots a ground ball in the eighth inning, giving the other team the lead? He singles in the winning run the next inning. That’s The Masters for you. Redemption is baked into its stories in a way you just don’t find elsewhere. This quality? It’s a gift from the course. Augusta gives more than she takes.Take last year, for example. Sunday. Hole 13. Rory McIlroy dunks his third shot into the creek. Ghastly. The groan heard around the entire damn world. You might have thought, “He’s choked it away.” And you wouldn’t be alone.And here’s where we bring in Elvis. Channeling another son of the South, Jimmy Reed. Reed’s “Baby What You Want Me to Do.” A gritty, three-minute stomper that could easily be the real-world theme song for The Masters.“We’re going up, we’re going down\
We’re going up, down, down, up\
Any way you wanna let roll it\
Yeah, yeah, yeah”Rory was down. He doubled the hole that most winners birdie. But he wasn’t out. He still had five holes left. Five guaranteed holes to try and salvage it. In the end, he needed six. A birdie in extra innings. Rolling in a playoff putt from 40 inches. And now? He’s in the Tuesday Night Supper Club forever. As up as a golfer can possibly get. For the longest time, it was impossible to unsee that dead-pull tee shot McIlroy hit on the 10th in 2011. He looked like he was on his way to a green jacket. But now? That shot doesn’t loom so large. After all his chances, Rory finally made it.Who among us doesn’t love a mulligan? A second chance. A third. A fourth. Ken Venturi, Tom Weiskopf, Greg Norman – these guys were masters of waiting for next year at Augusta. Until they ran out of next years. Those three are as significant to the tournament’s history as Art Wall (1959 winner), Tommy Aaron (’73), and Charl Schwartzel (2011). Even if Venturi and his buddies never even sniffed the champions locker room upstairs. Greg Norman, when his scoreboard totals were finalized for good, was 0-for-23 at Augusta. Rory won on his 18th try. In victory, he fell to the green for about half a minute. You remember that.In victory, Hideki Matsuyama’s caddie bowed to the course. That was in 2021. You remember that. Maybe not the year, but definitely the image. And these snaps, too: Carl Jackson, the caddie, consoling Ben Crenshaw in victory (1995). Nick Faldo, the winner, embracing Greg Norman, who’d led by six earlier that day (1996). Jack and Jackie walking off arm-in-arm (1986). Tiger falling into his father’s arms (1997). We know these images, no matter our age. We know them because we care. Millions of us, all over the world, care.Of course, we weren’t born caring about The Masters, who wins it, or how they win it. Yet here we are, itching for the next one. It’s like the club and the tournament were born under some special astral plane. Jupiter aligned with Mars, or something. The course, Bobby Jones’s vision – and Alister MacKenzie’s contribution! The relative isolation of Augusta, making the tournament the only game in town. Local schools literally closed for the week. The fixed date in April, with all that flowering pink. The engaging personalities of winners and near-winners. The coverage from newspapers, magazines, and all those networks, especially CBS.The first Masters was played in 1934. Gene Sarazen’s “shot heard ’round the world,” en route to a victory after a 36-hole playoff, happened a year later. Ben Hogan won his first Masters in 1951. A few weeks later, a Hollywood movie about him, *Follow the Sun*, came out. Hogan won again in 1953, just two months after Dwight Eisenhower – war hero, golf nut, Augusta National member – became president. Then, the tournament went from stage to screen. It was on TV for the first time in 1956. CBS was the network, and it’s been on CBS ever since, with very limited commercial interruption. Arnold Palmer won his first Masters in 1958. Then he won three more – ’60, ’62, and ’64. Jack Nicklaus nabbed his third green jacket in ’66. That’s when the CBS broadcast finally went to color. Grammy Hall, stuck in still-thawing Chippewa Falls, Wisconsin, could finally see those blooming azaleas in all their glory. Nicklaus won his record sixth Masters, with his son on the bag, 20 years later. When Tiger won his fifth green coat in 2019, people immediately started asking: Can he catch Jack? Woods was 19 when he played his first Masters. Now he’s 50. Year to year, decade to decade, player to player, generation to generation, The Masters is always building on its past. But all the while, the club keeps a laser focus – no distracting cell phones allowed – on its present. On the here and now. It’s all familiar. It’s all brand new.“Whatever product any company is trying to sell, toothpaste or anything else, it could never do what The Masters does, because people want to feel something, and The Masters gives people something they can feel,” Jim Nantz said recently. The CBS announcer worked his first Masters in 1986. Millions were sweating out the Golden Bear’s win over Seve Ballesteros and Greg Norman. (Nicklaus was 46 – ancient, back then.) On the course, the rooting was decidedly partisan. “The Masters doesn’t have to sell anything because the tournament has been handed down through the years. When I talk about The Masters, I always go back to this word, and you have to: tradition. Tradition is in short supply in the world. But not at The Masters.”A week of fixed tradition. The Monday night Amateur Dinner. The Tuesday night Champions Dinner. The Wednesday afternoon Par 3 Contest. All after the chairman’s annual State of The Masters press conference, with a line of green-coated members holding up the back wall. The honorary starters early Thursday morning. Act I curtain falls Friday night after the 36-hole cut. Then Act II on Saturday, the protagonists jockeying for position. Followed by the tense wonder of Sunday’s Act III, concluding with a standing ovation for the winner you know, and some kid – the low amateur – you probably don’t. Late on Sunday, before *60 Minutes*, the winner, the defending champion, and the low amateur descend a set of steps into the eerie quiet of the Butler Cabin basement. And there, waiting for them, is the chairman in a green blazer, and Jim Nantz in a blue one. It’s always the same, and it’s never the same.A decade ago, Bryson DeChambeau was the tournament’s low amateur. He almost stumbled on his way to his assigned Butler Cabin high-backed chair. Then he made sure not to sit before the winner, Danny Willett, did. There’s something about Augusta: your manners improve the second you arrive. DeChambeau and Willett, along with Jordan Spieth (the defending champ), were still wearing their white golf shoes, early on a lovely spring night. Augusta enjoys the gift of a late mid-April sunset, close to 8 p.m. Jim Nantz and Billy Payne, then the club chairman, faced the three players. DeChambeau was a bundle of jangly nerves, his red sweater couldn’t hide it. “Never in a million years did I think I’d be the low amateur here,” he told Nantz. Really? He earned his way to The Masters as the U.S. Amateur champion. But at The Masters, and at Augusta National, gentility is a way of life. Gentility, modesty, charm. You pass through the gate and put on your best Bobby Jones impression.That 2016 Masters was Billy Payne’s last as club chairman. Augusta National has had seven chairmen, starting with Clifford Roberts, cofounder of the club with Bob Jones, who was made president in perpetuity while he was still alive. (Kinda weird, right?) All the chairmen have been czars. Some more heavy-handed (Hootie Johnson, Billy Payne) than others (Jack Stephens, Fred Ridley, the current chairman). They all left their marks, big and small. Hord Hardin (1980-1991) didn’t like striped shirts at dinner and refused to lengthen the course, even with the arrival of metal woods. Hootie Johnson (1998-2006) didn’t want women as members but did want a far longer course and many more obstacle trees. Billy Payne (2006-2017) *did* want women as members (and invited the first class). He also wanted paying fans to have more of a Ritz Carlton-meets-Disneyland experience. Payne picked Fred Ridley as his successor. In style and manner, they’re totally different. Payne came at you with a torrent of words; Ridley weighs every last one. But in purpose, they’re the same.What makes the whole thing work is that the broad interests of Augusta’s chairmen and the broad interests of Augusta’s fans align perfectly. The chairman, any chairman, wants the best course, the best field, the best coverage, the best Sunday. And so do we.THE MASTERS IS a massive bonding experience. Whether you’re watching from your living room, an airport lounge, a clubhouse TV at Augusta (there’s a lot of that), or right there on the course. In that last category, the no-phone policy shapes the whole experience. You’re sealed off from the rest of the world. If you want to know what’s happening on campus at Augusta, you’re not going to get much spoon-fed. You have to use your own eyes, ears, intuition, experience. You watch the leaderboards change. You might actually talk to the person – stranger or not – standing next to you.“What was that?”“I’m thinking Scottie staked one on 12.”Conversation is part of the bonding experience at The Masters. Language is too. Augusta National publishes a Spectator Guide every year. They could also publish a Language Handbook. “Patron,” of course, would get an entry, for paying fan. Also, from the first-tee player introduction: “Now driving.” This is the widely accepted definition of Amen Corner: the 11th green, all of 12 (that wee par 3), and the tee shot on 13. The preferred shorthand for holes 10 through 18 is “the second nine.”And then there’s the oral tradition. Here, for example, is a real-life exchange from an on-course men’s room. A greeter at the door, and a spotter deep inside, tasked with keeping the line moving.Greeter: “What you got back there?”Spotter: “I got two open and a shaker.”Yeah, fellas being fellas. Deep in the club’s DNA and secret history, there’s a lot of that. Calcutta gambling, imported entertainment, business wheeling and dealing, all cloaked by that gentility. There used to be, on the second floor of the clubhouse, a restroom with wallpaper featuring urinating dogs. Beside it was the club’s library, a cozy room just big enough for the former champions at their annual dinner. All the gents at one long table, the defending champion picking up the tab, the chairman there as a guest. (The former winners get $25,000 just for showing up.) Ben Hogan started the dinner. Byron Nelson was its MC forever. For years, Sam Snead closed the night out with a few choice jokes. None can be repeated here.It’s strange to say, but Byron Nelson, a lifelong Texan, a two-time Masters winner, is an undervalued figure in the club’s lore. Even though the wide, sturdy stone bridge on the 13th hole is named for him. Texas runs deep through The Masters. Nelson spent his whole long life (94 years) in the Lone Star State. (Nelson, Hogan, Jimmy Demaret, Ralph Guldahl, Jackie Burke, Charles Coody, Ben Crenshaw, and Jordan Spieth are native Texans; Patrick Reed, Sergio García, and Scottie Scheffler are Texans by choice. That’s 17 wins right there.) But Nelson had that gentleness that is so emblematic of The Masters. Through his 80s and into his 90s, you’d see Lord Byron all week long, unhurried, smiling, happy to chat with anyone, his green coat draped on his arm on warm afternoons. One day, Bill Kirby, a longtime columnist at the *Augusta Chronicle*, was in the small Augusta National pro shop, looking to buy a gift for his father. He had his fingers on a maroon tie patterned with time-capsule Masters badges. “That’s a nice one,” came a voice from over Bill’s shoulder. Byron Nelson. Kirby bought the tie, and then Nelson bought the same make and model. Kirby gave the tie to his father, along with the Nelson story. The tie and the story came back to Kirby upon his father’s death. How intimate is all that?Rees Jones, the golf-course architect, has been to Augusta National many times, to watch the tournament and play as a guest. He was close to Bobby Goodyear, a pitcher at Yale, an Air Force veteran, an heir to a family fortune. Goodyear was also an Augusta National member forever. Over the years, on 80 different occasions, Goodyear invited Jones to play the course and bring a pal. “If I like the guy, I’m paying,” he’d tell Rees. “If I don’t, you are.” Rees paid twice. How fun is that? You might be surprised to learn that being a good hang is an unspoken requirement for membership. You don’t have to be a Goodyear or the CEO of a Fortune 500 company to be invited in. There are doctors who are members, two retired NFL quarterbacks (they’re brothers), people prominent locally and nationally. (Condoleezza Rice: good hang!) Billy Morris, a longtime member and the longtime publisher of *The Chronicle*, used to have an important job at the tournament, driving the winner from Butler Cabin to the press building in an E-Z-Go golf cart for the victor’s press conference. Driving cautiously to avoid the patrons and to make sure his Panama hat didn’t go flying. E-Z-Go (fun fact) got its start in Augusta, inspired by the three-wheeled, custom-made cart the ailing Bobby Jones drove around the course in the ’50s. E-Z-Go’s main competitor, Club Car, was founded in Augusta too. Augusta, the city and the club, is all mishmashy that way. Augusta, the city and the club, likes it that way. Robert Tyre Jones Jr. was the cofounder of Augusta National. Robert Trent Jones Sr. (Rees’ father) was the architect who designed the par-3 16th hole as we know it today. The two men are often confused and are not related. No big whoop. What makes 16, Jones (pick your Jones) said more than once, is the slope of its green. Tiger Woods will tell you the same thing. A golf course, and a golf tournament, can turn on the subtlest of things.Paul Talledo is an Augustan in his early 60s who has been going to The Masters pretty much all his life. He’s been taking his son Patrick to the tournament pretty much all his life. Father and son, in their early visits, observed what everybody who has been on the course has observed: The downhill 10th hole is so steep it could be a ski run; the uphill 18th hole is so steep you can see players gulping air as they make their shoulders-first march up it. Talk about big and brawny. In his mind’s eye, Paul can see Patrick, almost 20 years ago when the boy was 65 pounds of pure kid, eager to see his favorite golfer, Lucas Glover, make the walk up 18. Other spectators cleared a path for the boy. The next thing he knew, he was sitting under the rope line, watching. How intimate is that?One year, father and son were having trouble with their badges, with the “this-is-me” barcodes on them, as they tried to enter for the tournament. A security officer called for assistance. A green-coated member responded. He asked the boy his name and age, gave him a little Masters pin to put on his shirt, waved them both in, and said, “Y’all have a nice day.”In they went, the father and his son, leaving behind the chaos of Washington Road and falling into a 350-acre haven of golf. All that green. It’s a place that pulls you in, and once it has you, it never really lets go. That’s the enduring magic of The Masters.For more on the history and traditions of golf’s most prestigious event, check out
The Masters official website.